New Book coming: The Perpetual Motion Club

ImageI am very pleased to announce my novel, The Perpetual Motion Club, will be published in August 2013. Believe it or not the publisher’s name is Perpetual Motion Machine Publishing. Is that fortuitous or what?

And guess what it’s about! Right, perpetual motion. You’re going to love it!

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Princess Dancer Finally Here

We did it. We finally finished the Princess Dancer book teaser. Princess Dancer is a short story of mine that appeared in the Beyond Grimm e-anthology published in March by Book View Cafe. The story is based on Twelve Dancing Princesses and includes two different types of dance and I thought it would make a nice visual presentation. Tracy Schott produced the video, Kevin Hackenberg organized the shoot and all post-production. There was a whole slew of people—dancers, actors, tech people—involved.

We showed the short film at our local film festival and also got the dancers in the film to do a live exhibition at the festival’s opening event.

It’s been fun. I’m glad I can now move on. Enjoy the video! Buy the book.

To Ban or Not to Ban

Book View Cafe is posting banned books essays at their blog all this week in honor of American Libraries Association’s Banned Books Week. Below is what I posted on Monday.

What exactly is “banning” anyway? Is it a law, an attitude, a way of thinking? Or is it something more sinister than that such as advice and etiquette from Miss Manners? As near as I can tell it’s many different things, but in general it has something to do with books that are objectionable. According to the American Library Association’s list of classically banned books, there are different reasons for taking such extreme measures. Usually it has something to do with graphic depictions of sex, although a book won’t get banned just for that. Only if it becomes popular will the book then be banned.

Usually what happens is parents get together and decide some previously innocuous text known and beloved of teachers around the world is inappropriate for their kids. They demand that a book not be taught in the classroom, or that it not be available in the school’s library, or if it is available, a child is not allowed to check it out without parental consent.

On one hand, I believe parents have a right to restrict access to materials they deem objectionable. I remember parents. I had a couple when I was growing up. Back then most parents had never read any of the books on ALA’s list. Our parents didn’t care what we read; they were ignorant of the power of the pen. A bunch of us read those books, though, and apparently something made it through the haze of marijuana smoke. When we grew up we remembered reading scenes of depravity and bestiality. We were ashamed and couldn’t face ourselves in the mirror. We didn’t want that to happen to our own children.

I’m not sure how these books could have scarred us. Aren’t most of them incomprehensible to the average high school scholar? They probably don’t really get Call of the Wild (yes, it’s on the list) or Lord of the Flies. The listed books are just nice little adventure stories. Thin on plot in some cases. Can a kid even get through Grapes of Wrath? It’s a longish book and not a lot happens in it. If I remember correctly there’s a whole chapter describing the color and texture of Route 66. Not the scenery along the roadside either, but the actual macadam.

The point is the objection to these books seems to be not with plot or theme, but with a bit of explicit sex or a couple of cuss words. The latter seems to be the most troublesome. For some religions, four letter words, especially those involving G*d are a definite no no. Trying to teach your children that adults don’t use that kind of language must be exasperating enough given TV and movies, but damn near impossible when it’s right there in black and white for a kid to go back to over and over again like they like to do with the dictionary.

So a group doesn’t want their kids exposed to that. I understand. It’s their loss. Personally I think kids should be forced to read books like 1984 and Brave New World. Mostly because they’re intelligent science fiction and people need a dose of that to offset Hollywood’s idea of our genre. But that’s just me.

Then there are books like Lolita. I think a lot of people miss the point here. I remember the lascivious looks college boys gave each other when mentioning the title. Honestly I think they were referring to Kubrick’s movie which I’m pretty sure missed the point. Yes, I know Kubrick is a genius, but sometimes he seems like a frat boy. Anyway because of those college boys’ reaction I always assumed Lolita was some story about a hopelessly beautiful nymphomaniac that tempts an older gentlemen.

Imagine my surprise when I finally read the book. Yes the college boys missed the point. And I wonder if high school kids would get it that the main character, the protagonist we have been trained since we started reading to identify with, is a twisted predator, loathsome and deserving of what he gets in the end. Humbert Humbert is not a tragic character. He is formed of the sludge found on the bottom of a not very well-drained farm pond. It’s hard to feel that way about the hero of a book. Will high school students get the importance and subtlety in this book? Probably not. Should they then not be exposed to it? Dunno.

Does it matter if children raised in certain religious groups are not exposed to thought-provoking literature? Maybe. Should people be allowed to live in their own world even if it means they have their head in the clouds? Yes. Will that hurt society as a whole. Probably. What can be done about it? Nothing. This is a free country, get over it. If the majority of parents in your school ban a book, it’s up to you to make it available to your kid at home. Oh, you need the power of the school curriculum to force it down your kids’ throat. Easily solved. If you feel your kids should read Lolita but your school won’t let them, do what my parents did when they wanted me to read something, shove it in the back of the bookshelf at home so it looks like they were hiding it.

Point is, censoring for sex and strong language is something parents do all the time. It’s sort of a non-issue. More disturbing is censorship based on theme; one group deciding what another group may think about. Even there, though I think you could make a case for censorship. Do you really want your kids watching Birth of a Nation or reading misogynistic, racist stuff? No. Unless—and here’s the biggee—putting these materials in the schools is exactly where you want them. And especially in the classroom. That is the place where discussion can take place. If a book or movie is banned it’s a sure way to make people, and especially kids, consume it. And if they consume it in some back alley, they will grow up taking the book’s reality at face value. They’ll no doubt totally miss any subtlety or depth the author brought. Put that filth, that racism, that depiction of narcissism gone bad in Lolita in a classroom—a laboratory, under a microscope—and the child will surely never take the content at face value. He or she will understand the subtleties. They will get it that you don’t want to hang around people like Humbert Humbert.

Then there’s the type of censorship that simply baffles. Both of Orwell’s famous titles, 1984 and Animal Farm, were banned because Orwell was supposedly a communist. That when these two books excoriated communism. You see why I’m worried about people missing the subtlety? These books are not subtle. Unless of course you think a two-by-four upside your head is a delicate way to get someone’s attention.

On the other hand, Upton Sinclair’s The Jungle was banned in Russia because it was “inimical to communism.” Here’s a serious piece of anti-capitalist propaganda written by an avowed socialist. Go figure.

Censorship can also be sad. To Kill a Mockingbird and Beloved are both considered objectionable because of their depictions of racism. This is when it becomes hard to make a judgment on banning. There is no way to write stories about racism without appearing racist, in my opinion. Racism is bad, no question, but we need to talk about it to get beyond it. And the best place to talk about it is the classroom.

And then there’s Ulysses. How can this book be banned? I mean, does anyone even know what it’s about? I’m amazed that somebody not only got through it but found some sex scenes in it. I got half-way through and gave up. All I ever got from it were a few pub discussions, a couple of parades, and a funeral. I had to read the CliffsNotes just to be able to map the story onto Homer’s Oddysey. Oh, they’re sirens, that’s why they were singing so much. I got lost in the scene changes across town, across time, and across characters. Ban it? Definitely, unless of course a translation is included.

Sue Lange
Sue Lange’s book, Tritcheon Hash, is full of hot sex, four-letter words, socialism, communism, fascism, racism, narcissistic misogyny, and capitalistic propaganda, and it’s for sale right here at good ol’ BVC.

New Science Fiction Anthology Due Next Year

I’m pleased to announce my participation in THE OTHER HALF OF THE SKY, a science fiction anthology slated for publication spring, 2013. The stories in this collection will feature female protagonists against a backdrop of space opera. They will include contributions from such writers as Martha Wells, Nisi Shawl, Joan Slonczewski, Ken Liu, and Jack McDevitt.

Athena Andreadis, one of the editors along with Kay Holt of Crossed Genres magazine, has a complete list of the contributors at her blog. She’s also posted opening paragraphs for the stories there. Take a look, leave a comment, put aside a little cash to buy the thing when it comes out next year.

For those that need to know: new kids on the publishing block, Candlemark & Gleam, are doing the honors. Watch their site for news.

And while you’re waiting, here’s the opening from Finders, by Melissa Scott:

“A thousand years ago the cities fell, fire and debris blasting out the Burntover Plain.  Most of the field was played out now, the handful of towns that had sprung up along the less damaged southern edge grown into three thriving and even elegant cities, dependent on trade for their technology now rather than salvage.  Cassilde Sam had been born on the eastern fringe of the easternmost city, in Glasstown below the Empty Bridge, and even after two decades of hunting better salvage in the skies beyond this and a dozen other worlds, the Burntover still drew her.”

Stay tuned! More to come.

Mind Meld at Point of View in Genre fiction

I’m opinioning today at sfsignal on the subject of point of view in genre fiction. It’s a very serious topic and not to be taken lightly. You can imagine the results:

Here’s the question:

Q: As you see it. What are the strengths and weaknesses, for character, worldbuilding and setting in using 1st or 3rd person (or even 2nd?) Omniscient or limited? And how about the time frame of the tense, past or present or even future?

What kinds of Point of view do you prefer to write in? What types of POV do you like to read?

Here’s my answer: Incredible stories, (i.e. those not easily believed, (i.e. most of speculative fiction)) should always be told in the first person. Always.

It goes downhill from there. Check it out.

“Princess Dancer” Teaser for the Teaser

I’m still on hiatus but I have put together some footage of the making of the Princess Dancer book teaser. Take a look:

I’ve seen the rough cut of the actual short film and it looks great. The editor is doing a fabulous job.

Thanks to Tracy Schott Productions for providing that photo up at the top of this post.

Meanwhile the book, Beyond Grimm, that includes the Princess Dancer story is available at Amazon, Smashwords, and at Book View Cafe.